Invention (Deluxe), by Keaggy, King, Denté

Invention (Deluxe)

by Keaggy, King, Denté

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1.	Watch My Back 04:51	buy track
2.	Isle Of Skye 04:24	buy track
3.	The Moors Of Bellevue 04:15	buy track
4.	River Of Life 04:07	buy track
5.	Budapest Control 04:28	buy track
6.	Angel Treads 03:47	buy track
7.	More To Be Revealed 04:43	buy track
8.	53 Days In June 05:41	buy track
9.	Perspicuity 04:17	buy track
10.	The Quote Jester 02:37	buy track
11.	Something, Somewhere 05:20	buy track
12.	The Moors Of Bellevue (rehearsal) 06:04	buy track
13.	53 Days In June (rehearsal) 06:18	buy track
14.	Perspicuity (rehearsal) 08:16	buy track
15.	The Quote Jester (demo) 02:45	buy track

about

WATCH MY BACK
Written by Wes King
Wes – Lead Vocal, Martin Acoustic, Taylor High-String Acoustic, Gibson Les Paul
Scott – Backing Vocal, Taylor High-String Acoustic
Phil – Backing Vocal, Gibson G-3 Bass, Gibson Les Paul, Zion Electric
Ken Lewis – Drums, Percussion
© 1997 Sparrow Song/Uncle Ivan Music/BMI

ISLE OF SKYE
Written by Wes King, Phil Keaggy and Scott Denté
Wes – Langejans Acoustic, Roland VG-8 Mandolin
Phil – Gibson G-3 Bass, Zion Electric, Fender Stratocaster
Scott Denté – Pencilled Taylor High-String Acoustic, Olson Acoustic
Ken Lewis – Drums, Percussion
© 1997 Sparrow Song/Uncle Ivan Music/Café Denté Music/BMI/Birdwing Music/Marguerite Music/ASCAP

THE MOORS OF BELLEVUE
Written by Phil Keaggy
Phil – Fender Stratocaster, Gibson Les Paul
Wes – Langejans Acoustic
Scott – Gibson ES 135 Electric
Ken Lewis – Drums, Percussion
Chris Kent – Bass
© 1997 Birdwing Music/Marguerite Music/ASCAP

RIVER OF LIFE
Written by Alan Bradley, Phil Keaggy & Terry Burns
Phil – Lead Vocal, Gibson G-3 Bass, Guild 12-String Acoustic, Jerry Jones 12-String Electric, Gibson Les Paul, Gibson B-25 12-String Acoustic
Wes – Backing Vocal, Taylor High-String Acoustic
Scott – Backing Vocal, Cordovox Gretsch
Ken Lewis – Drums, Percussion
R.S. Field – Percussion
© 1997 Birdwing Music/Marguerite Music/ASCAP/Dayspring Music (Admin. By Word Entertainment, Inc.)/BMI

BUDAPEST CONTROL
Written by Wes King, Phil Keaggy and Scott Denté
Scott – Lowden Acoustic, Paul McGill Resonator Acoustic, Zion Electric, Gibson ES 135 Electric
Phil – Gretsch Electric, Fender Stratocaster, Mandolin, E-Bow
Wes – Guild 12-String Acoustic, Gretsch Electric, Saga Bouzouki
Ken Lewis – Drums, Percussion
Chris Kent – Bass
R.S. Field – Percussion
© 1997 Sparrow Song/Uncle Ivan Music/Birdwing Music/Marguerite Music/ASCAP

ANGEL TREADS
Written by Wes King, Phil Keaggy and Scott Denté
Wes – Olson Acoustic
Phil – Olson Acoustic
Scott – Lowden Acoustic
Ken Lewis – Percussion
Chris Kent – Bass
© 1997 Sparrow Song/Uncle Ivan Music/Café Denté Music/BMI/Birdwing Music/Marguerite Music/ASCAP

MORE TO BE REVEALED
Written by Scott Denté & Phil Madeira
Scott – Lead Vocal, Martin Acoustic Gretsch Electric, Fender Stratocaster
Wes – Backing Vocals, Guild 12-String Acoustic, Saga Bouzouki
Phil – Backing Vocals, Gibson G-3 Bass
Ken Lewis – Drums, Percussion
R.S. Field – Percussion, Tremolo Coordinator, select cymbal crashes
© 1997 Sparrow Song/Café Denté Music/BMI/Mail Train (Admin. by Fun Attic Music)/ASCAP

53 DAYS IN JUNE
Written by Scott Denté
Scott – Olson Acoustic, Jerry Jones Sitar, Fender Strat
Ken Lewis – Drums
Chris Kent – Bass
© 1997 Sparrow Song/Café Denté Music/BMI

PERSPICUITY
Written by Wes King, Scott Denté & Phil Keaggy
Wes – Olson Acoustic
Scott – Lowden Acoustic
Phil – Paul McGill Resonator Acoustic, Olson Guitar, Vocal
Chris Kent – Bass
© 1997 Sparrow Song/Uncle Ivan Music/Café Denté Music/BMI/Birdwing Music/Marguerite Music/ASCAP

THE QUOTE JESTER
Written by Phil Keaggy
Phil – Paul McGill Resonator Acoustic
© 1997 Birdwing Music/Marguerite Music/ASCAP

SOMETHING, SOMEWHERE
Written by Wes King, Scott Denté & Phil Keaggy
Wes – Jerry Jones 12-String Electric, Taylor High-String Acoustic, Martin Acoustic
Scott – Gretsch Electric, Fender Stratocaster
Phil – Gibson EB-3 Bass, Gibson Les Paul, E-Bow
Ken Lewis – Drums
© 1997 Sparrow Song/Uncle Ivan Music/Café Denté Music/BMI/Birdwing Music/Marguerite Music/ASCAP

All songs except where noted Admin. by EMI Christian Music Publishing

credits

released March 3, 2023

Produced by R.S. Field
Executive Producer – Lynn A. Nichols
Recorded by Mike Corbett at The White House
“The Quote Jester” recorded at Kegworth Studio
Additional recording by Russ Long
Assisted by Chris Grainger
Production Coordinator – Cliff Audretch, III
Mixed by Russ Long at The Battery
Mastered by Hank Williams at Master Mix
Creative Director – Christiév Carothers
Art Director – Jan Cook
Design – Karianne Caulkins at Jackson Design

Scott would like to thank…
R.S for your vigilance, vocabulary and grace under pressure. You are way up in the music; Lynn Nichols for helping the lads and me weed out the bad bits from the good. Your voxadelic studio visits were frequent and many; to the hard working and otherwise business soldiers at Proper Management and Sparrow-EMI for taking care while we played guitars all day. (We’ve finished, exhale); Mike, Russ, Cliff, Chris – Thanks, sorry, what’s for lunch; D’Addario Strings and Langejans Guitars; Phil & Wes, my compadres in (and out of) the pocket, words fail me, but “I know what you’re thinkin’!”; Christine, I’m Home.

R.S would like to thank…
Phil “what about this for a title” Keaggy, Wes “one man gang” King, and Scott “last man standing” Denté for their sterling and sublime compositions and performances. Also, their production ideas and contributions must not go unheralded. They are solid-senders; our A&R man, Lynn Nichols, for his vision, guidance and encouragement, as well as the birdmen and women of Sparrow-EMI for letting us create in an unfettered manner; Top-knob kudos to Mike Corbett and Russ Long; endurance, courtesy and scavenging merit badges to Chris Audretch; and rhythm section MVP’s to Ken Lewis and Chris Kent for their patient spontaneity; instrument and appliance thanks to “Chaos” Nichols, Jerry Jones Guitars, Eric Ernest of Abalone Vintage Guitars, Gary Paczosa, Greg Morrow and Big Al Anderson; and a humble thanks to God for this opportunity.

Wes would like to thank…
First of all, to my wonderful wife for her strength, patience and love that has sustained me throughout the making of this record and our two babies; Phil and Scott for the laughs and encouragement; Lynn for the voxology; Bobby for your patience and letting me play electric guitar; Peter for making this dream come true; Parker Guitars, D’addario Strings and Langejans Guitars; Del Langejans, again for making such wonderful sounding and playing instruments; and the entire Sparrow-EMI family for their support.

Phil would like to thank…
Our producer, R.S. Field, for your sense of musicality, humor and sense of adventure in the recording of our combined efforts; Norman Miller, Glenda McNalley, John Schroeter and Holly Benyousky; all our friends and fans who are even at this moment reading these notes and listening to the music; and Mike, Cliff, Chris, Russ, James and all who worked overtime after we’d gone home; Lynn Nichols and the folks at Sparrow-EMI for your support and encouragement in helping put Wes, Scott and me together to create something new; Gibson Guitars, Olson Guitars, Paul McGill Guitars, Parker Guitars, Zion Guitars and Langejans Guitars; my wife, Bernadette, for her love and support through all the years; to Wes and Scott for sharing your wonderful gifts God has given you with me. We’ve grown to be good friends and brothers. All the best to you and yours.

Phil, Wes and Scott want to give thanks to Ken Lewis and Chris Kent for participating in this invention.

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