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Phil Keaggy
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The Muse 02:40
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Arioso 03:26
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The Baltic 01:53
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Sketchings 00:21
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Watercolours 04:43
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Kobenhaven 04:32
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about

Contained in these four albums (Brushstrokes, Splash, Electric Blue & Still Life) are songs I created in the late 90s, recorded to ADAT machines, which was the first time I began recording digitally. Prior to these recordings, I was recording to analog 4- and 8-track tape machines.
Besides using acoustic, electric and classical guitars, I used a Langejans acoustic guitar that had midi capabilities and was able to use sampled sounds of keyboards, woodwinds, harp and horns, and other interesting sounds. It was a very creative time for me, instrumentally.

I was encouraged by a number of friends to pursue this music. Thanks to Tom Gulotta for the new cover designs. Photo credits also to Sean Hagwell (brushstrokes, splash and still life) and Ian Keaggy (electric blue) ... Thanks very much!

Brushstrokes: a number of these pieces were the result of scenes of faraway places that artist and poet Keith Moore brought to my attention. Thanks, Keith!
Thanks to: David Davidson—violins on JS Bach’s “Arioso.”
Michael Aukorfer—percussion on “Southern Landscape” and “Orange, Yellow and Red.”

I hope this collection will bring delight and inspiration to you.
Phil
Happy July 4th, 2019

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released June 20, 2019

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Phil Keaggy - Studio Instrumentals Nashville, Tennessee

Phil Keaggy is one of the most admired guitarists in music today. A master of both electric rock and acoustic finger style, he has been honing his craft for over 50 years.
He continues to sell out concerts all over the United States, with his ever-changing style, ranging from rock-and-roll to fully orchestrated instrumental compositions.
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