220 (Deluxe)

by Phil Keaggy - Studio Instrumentals

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Craig Opal Great power instrumental album. Favorite track: The Demise Of Sherlock Ohms [formerly Watt Ever].

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1.	Animal 04:50	buy track
2.	Arrow 06:03	buy track
3.	Montana 04:46	buy track
4.	Tennessee Morning 03:55	buy track
5.	The Great Escape 07:12	buy track
6.	Stomp 04:40	buy track
7.	Highland 05:53	buy track
8.	Beyond This Day 04:22	buy track
9.	Ian's Groove 03:39	buy track
10.	The Demise Of Sherlock Ohms [formerly Watt Ever] 03:19	buy track
11.	Animal (demo) 04:53	buy track
12.	Arrow (take 2) 07:04	buy track
13.	Montana (demo) 04:04	buy track
14.	Highland (demo) 03:38	buy track
15.	Tennessee Morning (early take) 03:54	buy track
16.	Escape (demo mix #2) 03:52	buy track
17.	Stomp (rough guitar mix) 05:09	buy track
18.	Highland (early mix) 06:52	buy track
19.	Ian's Groove (early mix) 04:21	buy track
20.	Arrow Jam (bonus) 03:05	buy track

about

I’d like to say a few things about this album-220-
It was a refreshing, creative time for me as a guitarist. I had, up to this point, done both vocal and instrumental projects. I was also a quarter of a century younger than I am now. There still was a great deal of youthful energy on this album!
I was surrounded by great musicians and the very talented Bill Deaton ~ Producer--also a guitarist himself!
In fact, Bill suggested, at first, that we call this album "When Les Pauls Ruled The Earth" haha! We ended up calling it 220 because there truly was some good voltage going on!
John Mays was also very keen on the music and gave us tremendous support!
I need to correct a title mistake on track 10. It was called “Watt Ever” on the CD release but it's really the end part of a jam called “Sherlock Ohms”, which is on Premium Jams Disc 2 as well as Jammed 2011.
Funny--I just noticed the title mistake today-haha!
OK- so tracks 11 through 20 are either demos or alternative ref mixes of the album's tunes. Montana (tr 3), for instance, contains my guitar tracks, bass and drums from my demo but Bill remixed it and added that cool hi-fi insert in the middle. I believe Spencer Campbell also added extra bass to the song. Tennessee morning (tr 4) has my original acoustic guitar parts and we built the song around those parts.
Arrow was originally a vocal song (see Back Room Trax Vol 3) that I thought would be fun as an instrumental. The original demo was recorded on a tour bus in 1984. Eleven years later we did this recording.
I think some of the bonus tracks (11,12,17 and 18) will be fun to jam to as they are missing the lead guitar lines.
Sure glad to have Spencer Campbell, Patrick Leonard and Lynn Williams as my band and special guests Pat Bergeson, Phil Madeira, Erik Darken, the late Hunter Lee, Chris Carmichael and young son Ian Keaggy to complete one of my favorite albums.
Thanks for listening
Phil Keaggy
Aug 10, 2019

credits

released July 8, 2019

1 Animal
Phil Keaggy: Guitars
Lynn Williams: Drums
Spencer Campbell: Bass
Phil Madeira: B-3
Patrick Leonard: Clav

2 Arrow
Phil Keaggy: Guitars
Patrick Leonard: Keyboard
Spencer Campbell: Bass
Lynn Williams: Drums

3 Montana
Phil Keaggy: Guitars, Bass, Drums, Tambourine
Spencer Campbell: Bass
Lynn Williams: Drums
Eric Darken: Percussion

4 Tennessee Morning
Phil Keaggy: Guitars
Patrick Leonard: Piano, Keyboard
Spencer Campbell: Bass
Lynn Williams: Drums
Eric Darken: Percussion

5 The Great Escape
Phil Keaggy: Guitars
Patrick Leonard: Piano, Keyboard
Spencer Campbell: Bass
Lynn Williams: Drums
Blair Masters: Drum Loop Programming

6 Stomp
Phil Keaggy: Guitars
Patrick Leonard: Clav, B-3, Synth
Spencer Campbell: Bass
Lynn Williams: Drums
Eric Darken: Percussion

7 Highland
Phil Keaggy: Guitars
Patrick Leonard: Piano, Synth
Spencer Campbell: Bass
Lynn Williams: Drums
Eric Darken: Percussion
Chris Charmichael: Fiddle
Hunter Lee: Scottish Warpipes, Tin Whistle

8 Beyond This Day
Phil Keaggy: Guitars, Bass, Synth
Lynn Williams: Drums
Erik Darken: Percussion

9 Ian’s Groove
Ian Keaggy: Drums
Phil Keaggy: Guitars, Bass
Phil Madeira: B-3, Slide Guitar
Pat Bergeson: Blues Harp
Lynn Williams: Cymbals
Irish Crowd Recorded by Russ Long

10 The Demise of Sherlock Ohms [Watt Ever (220 Jam)]
Phil Keaggy: Guitar
Spencer Campbell: Bass
Lynn Williams: Drums
Recorded live at Javalina Recording Studios
Assisted by Tom King

Credits
Guitars Phil used on this album:
Parker Fly Electric Guitars
Zion Electric Guitars
James Olson Acoustic Guitars
Del Langjans Acoustic Guitars
Fender Stratocaster
Paul McGill Resonator Guitar
Gibson Les Paul
Gibson G-3 Bass Guitar

Creative Direction: Karen Philpott
Design: Bruce Ellefson
Cover Illustration: Rich Borge
Photography: Ron Keth

Produced by Bill Deaton
Executive Producer: John Mays
Recorded and Mixed by: Bill Deaton
Additional Recording by Phil Keaggy
Recording Assistants: Aaron Swihart, Patrick Kelly, Amanda Sears
Mix Assistants: Carry Summers, Darren Smith
Guitar Technician: Charles Garrett
Recorded at Omnisound Studios and Kegworth Studio
Mixed at Gambit
Mastered by Doug Sax at the Mastering lab

Original credits and thanks:
This album is dedicated to my brother, David Keaggy

Many thanks to John Mays and Bill Deaton for your enthusiasm and support of the music, new and old./ John Schroeter for heading up the fan club and your great encouragement./ Holly, Pam, Chad and everyone at Street Level Artist Agency./ Norman & Debbie Miller, Glenda McNalley and all the folks at Proper Mgmt./ Randall and Kat at the Gordon Group./ John Nero for excellent road management./ My dear wife Bernadette and our children, Alicia, Olivia and Ian./ My brother Dave, for giving me my start on the guitar… way back when. Love to Virginia as well. God bless your family. Much success with the violin.

The Producer would like to thank:
Diana, Joshua & Laciana… love ya!/ Phil… an extremely pleasant recording experience!/ John, Ken, Christopher & Sparrow… much appreciated!/ Lynn, Spencer & Patrick… wonderfully talented band!/ Dennis Patton & Underground Sound… thanks for the gear.

All songs written by Phil Keaggy

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Phil Keaggy - Studio Instrumentals image

Phil Keaggy - Studio Instrumentals Nashville, Tennessee

Phil Keaggy is one of the most admired guitarists in music today. A master of both electric rock and acoustic finger style, he has been honing his craft for over 50 years.
He continues to sell out concerts all over the United States, with his ever-changing style, ranging from rock-and-roll to fully orchestrated instrumental compositions. ... more

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